Creative and studio space
Converted factory floors housing design, music and maker businesses with equipment that does not tolerate water.
Brunswick turned its textile and manufacturing stock into studios, offices and hospitality without replacing much of the original fabric. The conversions are good; the roofs and brickwork underneath them are a hundred years old.
Converted factory floors housing design, music and maker businesses with equipment that does not tolerate water.
Open-plan tenancies with exposed brick, timber and services as the defining finish.
Sydney Road and Lygon Street venues with kitchens, cellars and no tolerance for a lost weekend.
Almost all the commercial stock here was built for manufacturing between the 1890s and the 1950s and converted since. The original fabric is what fails and what constrains the repair.
What makes a Brunswick office attractive is exactly what makes it difficult to dry. Exposed brick, original timber and visible structure are the finish, not something hidden behind plasterboard, so any damage caused during drying is permanent and visible.
Brick dried too fast draws soluble salts to the surface and leaves efflorescence across a feature wall. Old timber dried too fast cups and opens at the joints. We work these buildings slowly with monitoring at depth, accept a longer schedule, and say so at the start rather than handing back a dry building with a marked wall.
Most of these walls are solid brick with no cavity and no damp course. They hold and move moisture in a way modern construction does not, and they keep releasing it into the space long after the face reads dry.
That has a practical consequence for anyone wanting to reinstate a fitout. Sign the wall off on a surface reading and put new linings or joinery against it, and the moisture goes straight into the new work. We monitor at depth and for longer, because getting this wrong produces mould behind something that was just installed.
Brunswick commercial tenants are mostly small — studios, agencies, owner-operated venues. They have no facilities team, no second site and limited capacity to absorb a long closure.
What is useful to them is a plain answer early: what is wet, roughly how long, what they can use in the meantime, and what to tell their insurer. We give that on the first attendance. A detailed scoping document on day five is worth less to a six-person business than a straight answer on day one.
Call now. If there is exposed brick or original timber, tell us — it changes how we dry it.
(03) 7035 0623It can if it is done too fast. Pulling moisture out of solid brickwork quickly brings soluble salts to the face and leaves efflorescence, which is very hard to reverse on a wall that is the feature of the room. We dry these slowly with monitoring at depth. It adds days to the schedule and avoids a permanent cosmetic problem.
Not on a surface reading. These walls are solid brick with no cavity and no damp course, so they keep releasing moisture into the space long after the face reads dry. New linings or joinery installed against that absorb it, and you get mould behind work that was just finished. We monitor at depth and will tell you when it is genuinely safe.
Yes. Make safe and permanent repair are separate jobs and the first should not wait on the second. We contain and divert the active ingress, protect what is below and start drying, so the building stops accumulating damage while the roofing works are organised.
On the first attendance. We will tell you what is wet, roughly how long drying will take, what parts of the space you can keep using and what to report to your insurer. A small business cannot wait a week for a scoping document, and a plain answer on day one is worth considerably more than a thorough one on day five.