Agency and studio offices
Small-floorplate creative businesses in converted terraces and warehouses, heavy on equipment and fitout.
Surry Hills is agency, studio and hospitality territory built into old terraces and converted warehouses. The buildings are small-floorplate, tightly packed and heritage-constrained, which shapes everything about how they can be dried.
Small-floorplate creative businesses in converted terraces and warehouses, heavy on equipment and fitout.
Crown Street and surrounds — small venues with tight kitchens and limited storage.
Narrow, deep, multi-storey buildings with original fabric and heritage constraints on what can be altered.
The stock is predominantly nineteenth-century terrace and early industrial, on steep terrain with a drainage network of similar vintage. Most failures involve either the roof or the fact that everything is joined to everything else.
Surry Hills was laid out before vehicles and it shows. Streets are narrow, parking is scarce and metered, many buildings have no off-street loading at all, and rear access is often via a lane shared with several other properties. Getting a truck-mounted extraction unit close enough to be useful is not always possible.
We plan around it with portable equipment and a realistic view of hose runs and stair carries. It is slower than working a building with a loading dock, and pretending otherwise leads to a crew arriving with kit they cannot get inside.
A great many Surry Hills buildings are heritage listed or sit within a conservation area, which limits what may be removed, altered or replaced. That has real consequences for restoration: you cannot simply strip a saturated lath-and-plaster wall and rebuild it in plasterboard because it dries faster.
So we dry in place far more often here than we would elsewhere, using slower, closely-monitored drying that protects original fabric. It takes longer and it needs more visits, but the alternative is damaging something that cannot be reinstated and creating a heritage problem on top of a water one.
Most Surry Hills commercial tenants are small — agencies of a dozen people, owner-operated venues, single-studio businesses. They do not have a facilities department, a second site to move to, or much cash flow tolerance for a long closure.
That changes what good service looks like. Being clear and quick about what is happening matters more than a comprehensive report. We give a plain answer on when they can be back in, what it will cost, and what they should be telling their insurer, and we would rather have that conversation on day one than at the end.
Call now. Tell us about vehicle access when you ring — it changes what we bring.
(03) 7035 0623Yes, but more slowly and with closer monitoring. Heritage constraints mean we cannot strip out saturated original fabric and replace it with modern materials that dry faster, so we dry in place instead. That takes longer and needs more visits, and it avoids creating a heritage problem on top of the water damage.
It is a constraint rather than a problem, provided we know before we mobilise. Where truck-mount extraction cannot get close enough we use portable units and plan the hose runs and stair carries in advance. Tell us about access when you call and we will bring equipment that can actually get inside.
These terraces share solid masonry party walls with no cavity, so water genuinely does move between buildings. We can establish and document that the source is on the adjoining property, which is what your insurer will need. Access to the neighbour is a conversation we can help with but cannot compel.
On the first attendance. We will tell you what is wet, roughly how long drying will take, what you can and cannot use in the meantime, and what to report to your insurer. Small tenants do not have the cash flow to wait a week for a scoping document, and a plain answer on day one is worth more than a detailed one on day five.